referências moda
° Malcolm Barnard, Fashion as Communication (London & New York: Routledge, 2002).
° Sarah E. Braddock& Marie O'Mahony, Sportstech: Revolutionary Fabrics, Fashion and Design (London: Thames & Hudson, 2002).
° Sarah E. Braddock & Marie O'Mahony, Techno Textiles: Revolutionary Fabrics for Fashion & Design (Penguin/Putnam, 1999).
° Janet Bloor & John D. Sinclair, Rubber: Fun, Fashion, Fetish (New York: Thames & Hudson, 2004).
° Andrew Bolton, The Supermodern Wardrobe (London: V&A Publications, 2002).
° Andrew Bolton, Wild: Fashion Untamed (New York: Metropolitan Museum of Art, 2004).
° Christopher Breward, Fashion and Modernity (Vhps Palgrave, 2005).
° Christopher Breward, The Culture of Fashion (Oxford & New York: Oxford University Press, 2003).
° Stella Bruzzi & Pamela Church Gibson (Eds.), Fashion Culture, Theories, Explorations & Analysis (London & New York: Routledge, 2000).
° Hussein Chalayan (Rotterdam: Nai Publishers, 2005).
° Valerie Cumming, Understanding Fashion History (Costume & Fashion Press, 2004).
° Jacques Damase, Sonia Delaunay: Fashion and Fabrics (New York: Thames & Hudson, 1997).
° Caroline Evans, Fashion at the Edge: Spectacle, Modernity, and Deathliness (Yale University Press: 2003).
° Anne Hollander, Feeding the Eye ( Douglas & McIntyre / Fsg Adult, 1999).
° Harold Koda, Extreme Beauty: The Body Transformed (New York: The Metropolitan Museum of Art, 2001).
° Ellen Lupton, Skin: Surface, Substance, and Design (Princeton Architectural Press, 2002).
° Suzanne Lussier, Art Deco Fashion (London: V&A Publications, 2003).
° Matilda McQuaid, Extreme Textiles: Designing for High Performance (Princeton Architectural Press, 2005).
° Bradley Quinn, Techno Fashion (Oxford/New York: Berg, 2002).
° Bradley Quinn, The Fashion of Architecture (Vhps Palgrave, 2003).
° Courtenay Smith & Sean Topham, Xtreme Fashion (Munich/Berlin/London/New York: Prestel, 2005).
° Chris Townsend, Rapture: Art's Seduction by Fashion Since 1970 (New York: Thames & Hudson 2002).
° Nancy J. Troy, Couture Culture: A Study in Modern Art & Fashion (Cambridge: The MIT Press, 2003).
° Sarah E. Braddock& Marie O'Mahony, Sportstech: Revolutionary Fabrics, Fashion and Design (London: Thames & Hudson, 2002).
° Sarah E. Braddock & Marie O'Mahony, Techno Textiles: Revolutionary Fabrics for Fashion & Design (Penguin/Putnam, 1999).
° Janet Bloor & John D. Sinclair, Rubber: Fun, Fashion, Fetish (New York: Thames & Hudson, 2004).
° Andrew Bolton, The Supermodern Wardrobe (London: V&A Publications, 2002).
° Andrew Bolton, Wild: Fashion Untamed (New York: Metropolitan Museum of Art, 2004).
° Christopher Breward, Fashion and Modernity (Vhps Palgrave, 2005).
° Christopher Breward, The Culture of Fashion (Oxford & New York: Oxford University Press, 2003).
° Stella Bruzzi & Pamela Church Gibson (Eds.), Fashion Culture, Theories, Explorations & Analysis (London & New York: Routledge, 2000).
° Hussein Chalayan (Rotterdam: Nai Publishers, 2005).
° Valerie Cumming, Understanding Fashion History (Costume & Fashion Press, 2004).
° Jacques Damase, Sonia Delaunay: Fashion and Fabrics (New York: Thames & Hudson, 1997).
° Caroline Evans, Fashion at the Edge: Spectacle, Modernity, and Deathliness (Yale University Press: 2003).
° Anne Hollander, Feeding the Eye ( Douglas & McIntyre / Fsg Adult, 1999).
° Harold Koda, Extreme Beauty: The Body Transformed (New York: The Metropolitan Museum of Art, 2001).
° Ellen Lupton, Skin: Surface, Substance, and Design (Princeton Architectural Press, 2002).
° Suzanne Lussier, Art Deco Fashion (London: V&A Publications, 2003).
° Matilda McQuaid, Extreme Textiles: Designing for High Performance (Princeton Architectural Press, 2005).
° Bradley Quinn, Techno Fashion (Oxford/New York: Berg, 2002).
° Bradley Quinn, The Fashion of Architecture (Vhps Palgrave, 2003).
° Courtenay Smith & Sean Topham, Xtreme Fashion (Munich/Berlin/London/New York: Prestel, 2005).
° Chris Townsend, Rapture: Art's Seduction by Fashion Since 1970 (New York: Thames & Hudson 2002).
° Nancy J. Troy, Couture Culture: A Study in Modern Art & Fashion (Cambridge: The MIT Press, 2003).
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